Thursday, December 26, 2024
HomeLGBT SportsVYNYL Broods on The World Is on Fire and I'm Lonely -...

VYNYL Broods on The World Is on Fire and I’m Lonely – Westword

^

Keep Westword Free

I Support

  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Denver and help keep the future of Westword free.

The year 2020 was a journey for the members of VYNYL. The Denver-based pop group found itself hamstrung after its first national tour was shut down mid-pandemic. The bandmates decided to think about the direction their music was headed.

“When it all went down, it kind of really showed us where we were in terms of our internal dynamic,” vocalist John Tyler says. “It allowed us to take a look at what we’d learned on that tour so far.”

Tyler says that the band used the downtime to write, and the group has a new EP with a fresh musical direction to show for it: The World Is on Fire and I’m Lonely, which was released on April 9.

Members of VYNYL are style-conscious lads, and for this, they sometimes get heckled by jerks who think VYNYL is a boy band. That actually happened recently in Fort Collins, where they were playing a music festival. They didn’t let it bother them.

Despite the band’s cheery appearance, VYNYL’s music is actually quite sad and pensive in places, and nothing like that vapid boy-band music that tends to plague the airwaves every ten years or so.

And the bandmates are used to not really fitting in with the Denver music scene at large anyway. Only guitarist Hunter Heurich is from Colorado. Bassist Andrew Cole is from South Africa originally, and Tyler hails from “the middle of bumfuck nowhere, North Carolina,” as he puts it. They do feel like they have found their place and their fan base, however.

“Our audience has really stuck with us through the pandemic,” Heurich says. “It’s really powerful, honestly, and it surprised us.”

On the new album, Cole says the band intentionally juxtaposed sad, introspective lyrics with some optimism. “It’s a pretty common theme of life,” Tyler says. “It’s a lot of shit, a lot of hard times, but it’s also a lot of beauty, and finding that beauty in those difficult moments is what allows us to keep pushing forward.”

He adds that the writing process was therapy for the band as it tried to make it through the waking nightmare that was 2020.

“We went against our own natural tendencies to fight for something we believed in,” he says. “The reason this band has lasted so long is persistence.”

The bandmates strove for a rawer sound on their latest EP. They recorded the tracks at the Blasting Room in Fort Collins, and they used more live instrumentation than on previous outings. Tyler describes the songs as the band’s “Van Gogh cutting his ear off.”

That’s one way to put it.

“We pushed ourselves instrumentally and lyrically and melodically,” he says. “The overall vibe of how the world was going, it inspired us to really let ourselves go for it and let it loose.”

He adds that he wants to see the band potentially reinvent itself every time it goes into the studio. While the group’s usual pop sound is accessible, 2020 didn’t exactly feel like the time for happy pop music.

“It was a time to rage against the machine, in a sense,” Heurich says. “It just felt very visceral.”

The band shot a video for the single “Heart//Break” and used a filter to make it look like a worn-out VHS recording. The effect gives the video a color palette that is dreamy, almost nightmarish.

“We had an idea for it to be a bad-trip scenario,” Tyler says. “We were juxtaposing heartbreak to a bad dream or a bad trip. When you come out of a bad relationship and you kind of get out of that fog, you kind of look back on a chunk of time that’s like a dream state. You don’t remember a lot of it. “

Now that we are seeing the light at the end of the COVID tunnel — that is, if the light doesn’t happen to be a train barreling toward us, as a friend of mine says — VYNYL wants to pick up the tour where it left off.

“It seems like right before the lockdowns started happening, we got the taste,” Heurich says. “Now we want to take the bite.”

Tyler says he would like to resume touring, but he sees 2021 as a time to rebuild the sense of community that was lost during the pandemic and the lockdowns.

“There’s been a lot of camaraderie and a lot of people helping each other out,” he notes. “But I also can’t help feel disconnected from a lot of my friends that I have played music with, and I haven’t seen them in six to eight months.”

Check out VYNYL’S website for more information. The World Is on Fire and I’m Lonely is now available.

Keep Westword Free… Since we started Westword, it has been defined as the free, independent voice of Denver, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who’ve won everything from the Society of Professional Journalists’ Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism’s existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our “I Support” membership program, allowing us to keep covering Denver with no paywalls.

RELATED ARTICLES

Most Popular

Recent Comments

pacomonkey007 on
nickrod32 on
Kate on
Gabriel Jimenez on
Boris Dorofeev on
AlexanderCostan on
Gouki249 on
Michael Schaper on
Supertomiman on
Robert Johns on
heyayup on
J.N Turner on
Cassandra Sainvilus on
mistermiah21 on
AL T on
Stjepan Vončina on
Alesandros356 on
Μαριος Κοσκολος on
Kikoushinzen on
Chanti Allen on
askvir2 on
PR3DA7EUR on
mikkita88 on
Shanoriya Robinson on
hightune21 on
s0medudeonline on
Ryan Wright on
Imcia Rens on
Garchomp Pit on
Kai Laa on
king vapor on
king vapor on
barosan jupan on
camaflauge on
Omar Doleymi on
JawNas1 on
Ibraheem Mansour on
SuperAceone on
James Darwin on
toomuchdingding on
lanciauxrayz on
curioussebastian on
Iman Farahin on
Samhain entertainment on
longsweep1 on
SuperCaffeinelover on
Rin Lee on
Samhain entertainment on
banglawaz0 on
banglawaz0 on
Chope89 on
nikos sicks on
ForZaSLaN1905 on
Kieran Murphy on
Brian Sirovey on
Enrico Baratelli on
Kenn Zesky on
Synthiotics on
ROGAN on
DJVM95 on
Corie Jacobs on
久登 寺島 on
Jakob Vlietstra on
shook one on
shook one on
Zeracan on
jarjarbinx79 on
keefkeef chiefchief on
WolfgangSenske on
Pieceofshit19 on
numbstateofennui on
The Real Witches on
Tribble Booth on
Greg Blackman on
Emily Fravel on
Daniel Baker on
Ahimsa Porter Sumchai MD on
Eden Brown on
johnboysssss on
CeeJayDee94 on
TheGoodNews01 on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
jpalberthoward9 on
jpalberthoward9 on
liffeybeat on
Chad Premo on
Michael E. O'Donnell on
徹 田中 on
Izzat Zainal on
InfliiKted on
angelo leslie on
Regena Daunicht on
Eddie The Liar on
DrNepal on
DrNepal on
TheGrimriftstalker on
Tatts Thompson on
Frederico Miranda Brandão Alves on
Jerry Bender on
uncle mike on
Dluv021 on
杏 唯 on
blu jonce on
lakecrab on
justin gingell on
anand- jivano on
kree8r on
Antonio Amaral on
Issam Bensoltane on
David Klonowski on
joe man on
chris badtrekkie on
Iktisam shahriar on
Hilaire Dufresne on
timthepainter1 on
immrnoidall on
Merle McDane on
Royalhighlander on
J Edge on
Mike J on
Mike J on
EarthEats Moon on
equn on
Lozial on
Grey Umopepisdn on
Adski92 on
ninjia1O1 on
murkyslough18 on
Robert Rickner on
okaminess on
stkcarm5 on
Kim Kelly on
funkymcbean on
ojibajo on
mzwickedlette88 on
neotek79 on
1ofmeNlotsofU on
aeroldoth on
TheThorne13 on
QueenLucyThe2nd on
James Gambino on