Monday, December 23, 2024
HomeTravel'GMCW Turns 40' celebrates equality, justice, and joy - DC Metro Theater...

‘GMCW Turns 40’ celebrates equality, justice, and joy – DC Metro Theater Arts

GMCW turns 40 is a joyous, and bittersweet, survey of the breadth of the work of Gay Men’s Chorus of Washington, DC. Photographs, newpaper clippings, and video footage of the Chorus singing, acting, and dancing are interspersed with interviews and reminiscences by some of its longstanding members. Group members note that this organization has managed to maintain its existence through the AIDS crisis and into the COVID pandemic, all the while using their singing as a weapon to fight for equality and justice.

‘GMCW Turns 40.’ Screenshot courtesy of Gay Men’s Chorus of Washington, DC.

While not emphasized in the anniversary celebration, GMCW is uniquely product of this city. Washington, DC, as the capitol of the United States of America, functions in the imagination of the country and the world as the place from which America’s constitutional and political stability and power emanate and are maintained and protected. What those who are not from DC don’t realize is that DC, more than being merely a symbol or a brand, is also home to people.

One of the ways you can tell that a place is actually a home to somebody, and not just a symbol, is by the music the people who live there produce and what that music says. The sound that comes from musicians such as Eva Cassidy, Chuck Brown, and Sweet Honey in the Rock could only have been produced by people who committed to making their homes in Washington, DC. The sounds these musicians have produced, relentlessly promote the humanity of a citizenry that continues to be treated as less than human and deserving of dignity.

When assessing its influence, GMCW should also be seen as an integral and essential part of this community and movement of DC musicians. Focusing their voice on the humanity and dignity of gay men, as part of the larger community, GMCW has made it possible for gay folks to be able to hear their own voice in Washington, DC, and to claim this city — and, by extension, the larger nation — as home.

Over the course of 90 minutes we are taken through a video scrapbook of GMCW memories along with special performances arranged especially for this anniversary. There are selections from past concerts such as their signature tune, “Make Them Hear You,” from Ragtime by Lynne Ahrens and Stephen Flaherty. The songwriting duo composed a new song, “Harmony Is Never Too Late,” for this anniversary celebration. It perfectly portrays the unshakeable faith that members of GMCW have articulated when talking about the company’s “potential to change hearts and minds when we share our story and raise our voices in harmony for equality and justice for all.”

‘GMCW Turns 40.’ Screenshot courtesy of Gay Men’s Chorus of Washington, DC.

Maybe such sincerity alloyed with rightness of cause is irresistible. In any case, I found myself becoming verklempt several times in the course of watching this program. One such moment was in watching Potomac Fever, one of GMCW’s several offshoots, as they sang “Sure on This Shining Night” in a performance, recorded during the pandemic, that moved back and forth between The National Arboretum and the ubiquitous Zoom squares to which we have all become so accustomed. The chorus’s response to the seemingly relentless targeting and killing of Black people by American police was another moving moment. The song “Heavy” was commissioned in the wake of these killings and it was performed in collaboration with a number Gay and Lesbian choruses across the country. It is lovely piece, a declaration of grief and resilience and an example of GMCW’s dedication to using music to “rise up in spite of the ache and fight injustices everywhere.”

In GMCW Turns 40 we get to accompany the chorus as they travel from the stage — in performances of fully produced pieces of musical theater and in camp parodies and revues — to the streets — in Pride marches, in education efforts and in protests — bearing witness to the existence of gay folks as members of the general community.

‘GMCW Turns 40.’ Screenshot courtesy of Gay Men’s Chorus of Washington, DC.

The Gay Men’s Chorus of Washington, DC has been singing for 40 years, sharing the good vibrations of the human voice with their audiences striving to bring them to one accord: the recognition and celebration of our shared humanity. May they continue to do so long into the future.

Running Time: Approximately 90 minutes

GMCW Turns 40 is streaming from now through June 20, 2021. Tickets, starting at $25, are available online.

Direction by Thea Kano
Associate Conductor: C. Paul Hein
Assistant Conductor: Joshua Sommerville
ASL Interpretation: Jamie Sycamore
Art Direction: Craig Cipollini

RELATED ARTICLES

Most Popular

Recent Comments

pacomonkey007 on
nickrod32 on
Kate on
Gabriel Jimenez on
Boris Dorofeev on
AlexanderCostan on
Gouki249 on
Michael Schaper on
Supertomiman on
Robert Johns on
heyayup on
J.N Turner on
Cassandra Sainvilus on
mistermiah21 on
AL T on
Stjepan Vončina on
Alesandros356 on
Μαριος Κοσκολος on
Kikoushinzen on
Chanti Allen on
askvir2 on
PR3DA7EUR on
mikkita88 on
Shanoriya Robinson on
hightune21 on
s0medudeonline on
Ryan Wright on
Imcia Rens on
Garchomp Pit on
Kai Laa on
king vapor on
king vapor on
barosan jupan on
camaflauge on
Omar Doleymi on
JawNas1 on
Ibraheem Mansour on
SuperAceone on
James Darwin on
toomuchdingding on
lanciauxrayz on
curioussebastian on
Iman Farahin on
Samhain entertainment on
longsweep1 on
SuperCaffeinelover on
Rin Lee on
Samhain entertainment on
banglawaz0 on
banglawaz0 on
Chope89 on
nikos sicks on
ForZaSLaN1905 on
Kieran Murphy on
Brian Sirovey on
Enrico Baratelli on
Kenn Zesky on
Synthiotics on
ROGAN on
DJVM95 on
Corie Jacobs on
久登 寺島 on
Jakob Vlietstra on
shook one on
shook one on
Zeracan on
jarjarbinx79 on
keefkeef chiefchief on
WolfgangSenske on
Pieceofshit19 on
numbstateofennui on
The Real Witches on
Tribble Booth on
Greg Blackman on
Emily Fravel on
Daniel Baker on
Ahimsa Porter Sumchai MD on
Eden Brown on
johnboysssss on
CeeJayDee94 on
TheGoodNews01 on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
jpalberthoward9 on
jpalberthoward9 on
liffeybeat on
Chad Premo on
Michael E. O'Donnell on
徹 田中 on
Izzat Zainal on
InfliiKted on
angelo leslie on
Regena Daunicht on
Eddie The Liar on
DrNepal on
DrNepal on
TheGrimriftstalker on
Tatts Thompson on
Frederico Miranda Brandão Alves on
Jerry Bender on
uncle mike on
Dluv021 on
杏 唯 on
blu jonce on
lakecrab on
justin gingell on
anand- jivano on
kree8r on
Antonio Amaral on
Issam Bensoltane on
David Klonowski on
joe man on
chris badtrekkie on
Iktisam shahriar on
Hilaire Dufresne on
timthepainter1 on
immrnoidall on
Merle McDane on
Royalhighlander on
J Edge on
Mike J on
Mike J on
EarthEats Moon on
equn on
Lozial on
Grey Umopepisdn on
Adski92 on
ninjia1O1 on
murkyslough18 on
Robert Rickner on
okaminess on
stkcarm5 on
Kim Kelly on
funkymcbean on
ojibajo on
mzwickedlette88 on
neotek79 on
1ofmeNlotsofU on
aeroldoth on
TheThorne13 on
QueenLucyThe2nd on
James Gambino on