Tuesday, November 12, 2024
HomeLGBT NewsNo masc, no entry - Daily Californian

No masc, no entry – Daily Californian

When Colton Underwood of “The Bachelor” came out, I honestly wasn’t surprised. Out of 25 seasons of the show, one of the bachelors was bound to be a little gay.

What shocked me even more, however, was that he soon got his own Netflix show. Not only that, but he was going to have famous gay Olympian, Gus Kentworthy, as his personal “gay guide” through queer culture and life after coming out. 

It’s always great when someone comes to terms with their sexuality and expresses it openly. I applaud Underwood’s bravery and courage to share something so personal with millions of people. And his announcement has probably meant a lot to closeted fans and helped push for more queer visibility in the media. 

But Underwood’s reward of a show highlights the underlying homophobia in mainstream society: a preference for “straight-passing,” masculine, or masc, queer men over feminine, flamboyant queer men.

This isn’t a new concept. The idea that masc queer men are superior pervades heterosexual thought. Men such as Matt Bomer, Neil Patrick Harris and Ricky Martin are seen as “more straight” because of their masculinity, breaking the stereotype of the effeminate gay man. Masc queer men also don’t “look” gay and often enjoy stereotypically masculine things such as sports and power tools. 

In contrast, the effeminate gay man is gay, in all capital letters. Think RuPaul, Adam Lambert and Jonathan Van Ness. They probably watch “RuPaul’s Drag Race” and listen to Ariana Grande. This type of queer man is often considered more feminine because of the emphasis on looks through fashion and cleanliness. These men also may have higher-pitched voices and are more flamboyant and expressive, fueling the idea that they are “diet women.” 

But the differences between these two types of queer men extend far beyond their characteristics. Heteronormativity — and the oppression that accompanies it — treats them differently.

I remember looking at the Instagram profile of Jonathan Van Ness from “Queer Eye” a few years back. After looking through his sea of photos, ranging from his luscious hair to incredible style sense, I went through the comments section. 

Some of the comments were supportive and kind, but most called Van Ness various combinations of demeaning adjectives, including slurs, with a lot of viewers attacking him for being feminine. (I honestly have to give the homophobes some props for their creativity in insults.) Nevertheless, this was a textbook case of homophobia mixed with misogyny, perpetuating the idea that masculinity is the standard. Since Van Ness is outwardly feminine, many consider him “too gay,” and therefore lowlier than his more masculine gay counterparts. 

Van Ness’ costar, Antoni Porowski, who is the masculine cooking expert of the show, got a wildly different reception. When the show first premiered, he instantly became a fan favorite. Everyone on my Twitter timeline talked about how hot he was and created memes about his love for avocados. Out of the entire “Queer Eye” cast, I’d argue Porowski has the least interesting personality. Van Ness carries the show, but Porowski gets all the attention. 

I don’t mean to suggest that Porowski has never experienced homophobia in his life. But queer men who pass as straight have some privilege. 

This frustrates me because feminine queer men have often been at the forefront of championing LGBTQ+ rights. The 1969 Stonewall riots, credited for being the beginning of the modern LGBTQ+ rights movement, had effeminate twinks and drag queens protesting with transgender women and butch lesbians. Feminine queer men have changed societal conceptions of what makes a man, regardless of sexual orientation, and consistently blur the rigid line separating gender roles. They have done so much for gay rights but are paid dust while masc queer men reap all the benefits.

Through my youth, the immense pressure to be a masculine gay — and conform to social expectations — controlled my every action. I’ve written about how ashamed I was of watching “RuPaul’s Drag Race” and listening to pop stars such as Britney Spears. I convinced myself these things were “too gay” and that if I wasn’t straight, I wasn’t going to be “like those other gays.” I’d scoff at other gay men for wearing makeup or listening to Taylor Swift’s latest album, thinking I was different and cool. In reality, this was self-projected, internalized homophobia.

I’m happy that Colton Underwood has come to terms with his queerness, but the reward of a Netflix show puts him and other masc queer men on a pedestal while feminine gay men are given scraps and pieces. Although some feminine queer men do enjoy the spotlight, they are not given the same platforms. “RuPaul’s Drag Race” was on a more niche television network before getting picked up by VH1 eight years later. It faced so much backlash before it went mainstream, but it definitely paved the way for shows such as Underwood’s to be on a platform as huge as Netflix.

If Underwood was an effeminate twink, I’m not sure he would’ve been given his own series right after he came out. If that was a reward for coming out, I want my own Netflix show for God’s sake.

Nicholas Clark writes the Monday column on LGBTQ+ issues in media and politics. Contact him at [email protected]

RELATED ARTICLES

Most Popular

Recent Comments

imanmegatron@gmail.com on No masc, no entry – Daily Californian
pacomonkey007 on
nickrod32 on
Kate on
Gabriel Jimenez on
Boris Dorofeev on
AlexanderCostan on
Gouki249 on
Michael Schaper on
Supertomiman on
Robert Johns on
heyayup on
J.N Turner on
Cassandra Sainvilus on
mistermiah21 on
AL T on
Stjepan Vončina on
Alesandros356 on
Μαριος Κοσκολος on
Kikoushinzen on
Chanti Allen on
askvir2 on
PR3DA7EUR on
mikkita88 on
Shanoriya Robinson on
hightune21 on
s0medudeonline on
Ryan Wright on
Imcia Rens on
Garchomp Pit on
Kai Laa on
king vapor on
king vapor on
barosan jupan on
camaflauge on
Omar Doleymi on
JawNas1 on
Ibraheem Mansour on
SuperAceone on
James Darwin on
toomuchdingding on
lanciauxrayz on
curioussebastian on
Iman Farahin on
Samhain entertainment on
longsweep1 on
SuperCaffeinelover on
Rin Lee on
Samhain entertainment on
banglawaz0 on
banglawaz0 on
Chope89 on
nikos sicks on
ForZaSLaN1905 on
Kieran Murphy on
Brian Sirovey on
Enrico Baratelli on
Kenn Zesky on
Synthiotics on
ROGAN on
DJVM95 on
Corie Jacobs on
久登 寺島 on
Jakob Vlietstra on
shook one on
shook one on
Zeracan on
jarjarbinx79 on
keefkeef chiefchief on
WolfgangSenske on
Pieceofshit19 on
numbstateofennui on
The Real Witches on
Tribble Booth on
Greg Blackman on
Emily Fravel on
Daniel Baker on
Ahimsa Porter Sumchai MD on
Eden Brown on
johnboysssss on
CeeJayDee94 on
TheGoodNews01 on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
lakecrab on
jpalberthoward9 on
jpalberthoward9 on
jpalberthoward9 on
liffeybeat on
Chad Premo on
Michael E. O'Donnell on
徹 田中 on
Izzat Zainal on
InfliiKted on
angelo leslie on
Regena Daunicht on
Eddie The Liar on
DrNepal on
DrNepal on
TheGrimriftstalker on
Tatts Thompson on
Frederico Miranda Brandão Alves on
Jerry Bender on
uncle mike on
Dluv021 on
杏 唯 on
blu jonce on
lakecrab on
justin gingell on
anand- jivano on
kree8r on
Antonio Amaral on
Issam Bensoltane on
David Klonowski on
joe man on
chris badtrekkie on
Iktisam shahriar on
Hilaire Dufresne on
timthepainter1 on
immrnoidall on
Merle McDane on
Royalhighlander on
J Edge on
Mike J on
Mike J on
EarthEats Moon on
equn on
Lozial on
Grey Umopepisdn on
Adski92 on
ninjia1O1 on
murkyslough18 on
Robert Rickner on
okaminess on
stkcarm5 on
Kim Kelly on
funkymcbean on
ojibajo on
mzwickedlette88 on
neotek79 on
1ofmeNlotsofU on
aeroldoth on
TheThorne13 on
QueenLucyThe2nd on
James Gambino on